About the course

About the course

The Bachelor of Applied Music - Composition can kickstart your career in the music industry as a composer, orchestrator, sound designer, film and media composer, performer, song writer, music producer or game audio professional. Box Hill Institute will provide you with the skills and experiences you need to excel in these areas.

Real life industry experiences and facilities include:

  • integrate and collaborate with our sound, performance and business students
  • be mentored by leading industry experts
  • work on real films and games
  • perform your works in our contemporary live venues
  • become an expert on software such as Logic, Ableton and Max for Live
  • access to our flagship studio facility, Sing Sing East
  • access to our internationally-renowned Artist in Residence programs
  • on-campus record label, Tremorverse Records
  • learn audio for virtual and augmented reality
  • integrate game compositions with Unity and WWise
  • access to our analogue synth collection and production/writing suites
  • study with like-minded creatives and expand your industry network
  • learn from industry professionals
  • music business training
  • dedicated post-production studio

The Bachelor of Applied Music - Composition is specifically designed to support emerging composers with a combination of highly trained teachers, extraordinary opportunities and unique experiences that create a bridge to industry.

Students will learn with and be mentored by industry experts in a supportive environment that encourages them to achieve a combination of high-level musicianship, orchestration, songwriting, scoring, business acumen and creativity, so they graduate ready to thrive. This is done by integrating real industry experiences in a supportive atmosphere. This fusion of education and industry is reflected in our teachers who, as well as teaching, currently work as music professionals at the top of their fields.

Composition students work closely with the music business, production and performance students to create cross-discipline projects in an exciting and talent-rich environment. They also work on real film and game projects with students from Deakin and Swinburne Universities. This means projects are already underway and gaining traction when students graduate. There are many examples of a successful career already beginning while still studying.

Student Quote

“Box Hill Institute was an amazing place to complete my music degree. It provided the students with fantastic facilities and studios, personalised learning, and opportunities to enter and experience the music industry. I feel that Box Hill Institute has equipped me with the skills I need, and the pathways to use them” - Marlon Grunden, alumnus.

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Free Online Music Theory MOOC Course
This Massive Open Online Courses (MOOC) program is designed to assist those wishing to develop their music theory skills as a musician and also to prepare for entrance tests for accredited music courses. For further information go to: Online Music Theory Studies.

Course Details

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Intake Dates & Course Length


February

Full time: 3 years (classes take place on weekdays)

Mode of delivery is face-to-face.

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Career & Learning Outcomes


After completing this course, you may wish to apply for a range of employment opportunities in the music (and related) industries. The range of roles in these industries are many and varied, and may include:

  • composer for film, TV and games
  • sound designer
  • musical director
  • concert music composer
  • writer and arranger
  • producer/programmer/designer of music and multimedia software packages
  • music artist, performer and many more

Related industries may include recording industry, music publishing, live performance, music retail, advertising, radio, film, video and television, music therapy, music education and music media.

Graduates will be able to:

  • reflect skills and knowledge of the practices, languages, forms, materials, technologies and techniques in the creative and performing arts discipline of music
  • review, analyse and consolidate conceptual theories and processes in music creation and practice through integrated creative, critical and reflective thought
  • utilise cognitive and technical skills to demonstrate a broad understanding of the body of knowledge as applicable to music creation and practice
  • recognise and reflect on social, cultural and ethical issues, and apply local and international perspectives to problem-solving practice in the creative and performing arts discipline of music
  • interpret, communicate and present ideas, problems and arguments coherently
  • develop, research and evaluate ideas, concepts and processes through creative, critical and reflective thinking and practice
  • apply relevant skills and knowledge to produce and realise works, artefacts and forms of creative expression
  • work independently and collaboratively in the creative and performing arts discipline of music in response to project demands
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International Alumni

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Entry and Academic Requirements


International students must have completed an Australian Year 12 or international equivalent with a pass.

Folio requirements: a folio of compositions to present. This is any combination of presented scores, live performed original songs and produced music files (MP3s, CDs, etc)

Musicianship test : completion of a supervised musicianship test (will be sent upon receipt of student’s application).

Interview : you will be asked a series of questions relating to your suitability for the course. You should demonstrate a clear understanding of career goals and an aptitude for the course of study, including any relevant industry experience.

PLEASE NOTE: Box Hill Institute only accept enrolments from international students who are 18 years of age or above at the time of course commencement.

English Language Requirements


A minimum IELTS overall score of 6.0 (Academic) with no band less than 5.5. A minimum TOEFL score of 550 for paper examination; 213 for computer based and 79 for internet based, or approved equivalent.

For other accepted tests, please visit the English Language Requirements page.

Applying


International students please apply through:

  1. an authorised representative in your country
  2. a Box Hill Institute booth at an education exhibition
  3. or direct to Box Hill Institute

See how to apply or contact the international office for more information.

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Pathways & Accreditation


Successful completion will enable you to apply for entry to: 

  • Box Hill Institute’s Master of Music (Contemporary Practice)
  • honours, postgraduate diploma and master’s courses at your chosen university

 

This course is accredited by the Tertiary Education Quality and Standards Agency (TEQSA) and the qualification is aligned with the Australian Qualification Framework (AQF) level 7 and Box Hill Institute Graduate Attributes.

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Fees


Tuition Fee Type Estimated Annual Fee
International Fee$18,530.00
Service Fees Estimated Annual Fees
Service & Amenities*$155.00
Core Skills Support**$75.00
Annual Material FeesNo materials fee applies
Retain Course Items***No fee applies
* Does not apply to VETDSS or Short course students.

** Does not apply to VETDSS, International students, Short Courses, Graduate Degrees , or re-enrolling students who re-enrol in the same course.

***Retained Course Items are purchased by the student once prior to commencing. The course items bought by the student become the property of the student. Such items retain a generic application for other purposes outside the student's course of study (e.g. textbooks).

Annual student tuition & material fees as published are subject to change given individual circumstances at enrolment. Fees listed are for 2019 and may increase annually over the duration of delivery. Advertised start dates and delivery locations are subject to viable student numbers. For more information please contact our Course Advisors on 1300 BOX HILL.
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Course Structure


You will be required to study the following units:

  • first year - 14 core 
  • second year - 12 core and 2 electives
  • third year - 12 core and 2 electives

    Year 1 Core


  • MUT121 Composition Studies 1
    6.0 points

    48.0 hours

    Composition Studies 1 is the first of six composition studies subjects. The composition studies stream focusses on developing, applying and refining techniques, skills and devices pertinent to contemporary composers.

    Composition Studies 1 aims to equip students with a thorough understanding of the melodic, harmonic, rhythmic, textural and structural elements of music and the ability to apply this knowledge in composition. Through a variety of ongoing exercises in analysis and composition students will acquire and consolidate knowledge of technical and aesthetic aspects of composing. Particular attention will be paid to learning the principles of the motivic and rhythmic development. Assessments will include composing melodies to given chordal progressions and following the conventions of specific musical styles.

    The weekly forum provides an opportunity for students to interact with their peers, as well as other students from the Music Department in an open and flexible format.

    Contact hours are 4 hours each week for 12 weeks.
    Prerequisites: None
    Assessment: Assessment: 1. Composition 1, motivic work 30% 2. Composition 2, Melodic work 30% 3. Composition 2, Score analysis project 40%

  • MUT122 Composition Studies 2
    6.0 points

    48.0 hours

    Composition Studies 2 is the second of six composition studies subjects. The composition studies stream focusses on developing, applying and refining techniques, skills and devices pertinent to contemporary composers.

    Composition Studies 2 continues to develop students’ understanding of the melodic, harmonic, rhythmic, textural and structural elements of music and ability to apply this knowledge in composition. This class introduces students to the fundamentals of orchestration and the concepts of music arranging. Students will apply the principles of counterpoint and harmonisation, motivic development, extension of themes, development of rhythmic and textural devices and creation of convincing musical forms in their creative work. Through a variety of ongoing exercises in analysis and composition, students will consolidate knowledge of technical and aesthetic aspects of composition and continue to develop a vocabulary of compositional techniques and ideas.

    The weekly forum provides an opportunity for students to interact with their peers, as well as other students from the Music Department in an open and flexible format.

    Contact hours are 4 hours each week for 12 weeks.
    Prerequisites: Composition Studies 1
    Assessment: Assessment 1. String Transcriptions, plus a Piano and String Exercise. 30% Assessment 2. Voice Exercise 15% Assessment 3. Arranging Project 55%

  • MUT123 Composition Content B1: Songwriting 1
    3.0 points

    24.0 hours

    Songwriting 1 is the first in a sequence of four songwriting subjects. Students undertaking Songwriting 1 will analyse many of the musical devices and conventions that exist in popular and jazz song genres and then apply this knowledge to their own compositional endeavours, at an introductory level. The content of 'Principles of Songwriting' is iterative. Although each level has a particular focus, the songwriter's creative building blocks of melody, harmony, lyric, form, groove and style or character are revisited and explored with increasing sophistication in all four levels of the subject. The delivery style of all four levels includes the same four basic components. 1. Composing independently. 2. Collaboration i.e. working with others to compose and develop songs. 3. Presentation/Publishing (the word 'Publishing' is used loosely to mean the issuing of a copy or copies and includes a broad focus on contemporary technology). 4. Performance (which takes many forms and includes attempts to reach out to the community in which the course operates). Songwriting 1 is delivered at an introductory level, presenting students with basic concepts on which to develop their individual voice in songwriting.
    Prerequisites: Nil
    Assessment: Collaborative song writing project 40% Song Composition, equivalent to 750 words 60%

  • MUT124 Composition Content B2: Songwriting 2
    3.0 points

    24.0 hours

    Songwriting 2 is the second in a sequence of four songwriting subjects. In Songwriting 2, students will analyse many of the musical devices and conventions that exist in popular and jazz song genres and then apply this knowledge to their own compositional endeavours. Songwriting 2 will primarily deal with lyric writing and form, with some focus on groove, style and character. This subject includes four basic components: 1) independent composition, 2) collaborative composition, 3) presentation/publishing, and 4) performance. The term 'publishing' is used loosely in the context of this subject, focusing on contemporary technology and meaning the issuing of one or more copies. Performance may take many forms and includes ‘reach out’ events in the community in which the course operates. Songwriting 2 is delivered at an intermediate level, building on concepts explored in Songwriting 1. Students will continue to develop a sense of personal style in songwriting, and gain a deeper insight into structures and techniques in contemporary song writing.
    Prerequisites: Songwriting 1
    Assessment: Reflective Journal - incorporating song drafts and task (equivalent 1000 words) 30% Class participation/song draft presentation (equivalent 500 words) 10% Song Composition (equivalent 1500 words) 60%

  • MUT125 Composition Content A1: Filmscoring 1
    3.0 points

    24.0 hours

    Composition A1: Introduction to Film Scoring 1 is the first of six film and media subjects designed to equip students with the necessary introductory skills and knowledge required to identify, describe, compose and arrange music for film cues. Through the historical study and introduction to theoretical analysis of film music, students will develop an understanding of the aesthetic role and function of music in the film context. Students will consider film scores with reference to established compositional techniques and their applications in defined social, historical and commercial contexts. Using these aesthetic and musical concepts as the foundation, students will develop compositional skills pertinent to film music.
    Prerequisites: Nil
    Assessment: Essay on an historical aspect of music for film (1000 words) 40% Analysis and Essay (1000 words) on use of music in assigned films 40% Scoring Assignment, equivalent to 500 words 20%

  • MUT126 Composition Content A2: Filmscoring 2
    3.0 points

    24.0 hours

    Composition A2: Introduction to film scoring II is the second of six film and media subjects designed to equip students with the necessary developing skills and knowledge required to identify, describe, compose and arrange music for film cues. Through the historical study and introduction to theoretical analysis of the various genres of post-1950s film music, students will further develop understanding of the aesthetic role and function of music in the film context. Students will consider film scores with reference to established compositional techniques and their applications in defined social, historical and commercial contexts. Using these aesthetic and musical concepts as the foundation, students will continue to develop compositional skills pertinent to film music.
    Prerequisites: Filmscoring 1
    Assessment: Class exercises 40% Swinburne University collaboration or alternative - compose, edit and synchronise music to a short movie extract (equivalent 750 words) 60%

  • MUT103 Theory 1: Voice Leading
    3.0 points

    24.0 hours

    This is the first in a sequence of six music theory subjects. Through the study of diatonic harmony, students will acquire a strong foundation in the elements of music upon which later music developed. By undertaking harmony exercises and harmonic analyses of excerpts from seminal diatonic compositions, students will acquire an understanding of the interrelationship of melody, harmony, dissonance, consonance, rhythm, motives and their development in the formation of musical forms. The evolution and influence of diatonic music of the past on the development of contemporary popular music, most notably on the development of popular vocal music, will be explicitly described in lectures and tutorials. The theoretical and aesthetic principles presented in lectures will be aurally reinforced through practical harmony exercises in tutorials, through which students will acquire a thorough understanding of the principles of four-part diatonic harmony and voice leading. Students will complete harmony exercises in vocal and keyboard styles. Students will present their harmony exercises in a music notation program; and they will realise their exercises by singing, playing or using MIDI, which will reinforce their aural training and encourage development of their ‘mind’s ear’
    Prerequisites: Nil
    Assessment: Quiz: online 10% Analysis and Harmony Assignment 30% Written Exam (Closed Book) 60 mins 60%

  • MUT109 Keyboard Skills
    3.0 points

    24.0 hours

    Keyboard Skills is designed to give students essential keyboard skills, with the expectation that many will begin at an introductory level. Students will be assessed in orientation week to ensure placement in the correct section of the class, with more advanced students having the option to test out of the subject. Students will perform a variety of completed notated pieces, as well as develop an understanding of voicings appropriate to jazz and contemporary music styles.
    Prerequisites: Nil
    Assessment: 1. Performance of realised chord progression 20% 2. In class assignments 40% 3. Final exam: performance of set pieces 40%

  • MUT107 Aural 1
    3.0 points

    24.0 hours

    Aural 1 is the first in the sequence of four subjects developing students’ aural and music notation skills. They will learn to aurally recognise and sing melodic and harmonic intervals within an octave, major, minor and pentatonic scales and diatonic chords. Students will perform prepared melodies, sight-sing and transcribe simple diatonic melodies. Rhythmic work will include performing prepared progressions, sight-reading and transcribing rhythmic examples in 2/4, 3/4 and 4/4. Students will also learn to sing, aurally recognise and notate diatonic triads and inversions as well as various cadences. Aural training software will be incorporated into this subject in a self-guided learning module.
    Prerequisites: Nil
    Assessment: Assessment 1: Singing video - 10 minutes 15% Assessment 2: Viva Voce test 1 - 10 minutes 20% Assessment 3: Written Test of aural skills - 55 minutes 30% Assessment 4: Viva Voce test 2- 10 minutes 25% Assessment 5: Participation and preparation of group singing in class 10%

  • MUT101 Music Technology 1
    3.0 points

    24.0 hours

    This subject is the first of a sequence of two, and is designed to equip you with the technological skills expected of those working at a professional level in the music industry today, and you will receive instruction and undertake exercises using the latest sequencing software. You will also be required to set up a web page, upload graphic (music notation) and audio files, and produce MIDI files. You will receive instruction on acoustics, the theory and practice of recording principles, microphone types and modes of operation, personal address systems, equalisation, mixing desks, digital audio theory, signal flow and effects for live performance. You will be required to edit sound waves and create digital multitrack recordings. Contact hours are 2 hour class (part lecture/part tutorial) for 12 weeks.
    Prerequisites: None
    Assessment: Remix assessment. Equivalent to 750 words 30% MIDI and Sequencing Assignment, equivalent to 1250 words 70%

  • MUT104 Theory 2: Diatonicism
    3.0 points

    24.0 hours

    This is the second in a sequence of six music theory subjects. Through the study of diatonic harmony, students will acquire a strong foundation in the elements of music upon which later music developed. This second semester advances student knowledge on the introductory concepts presented in the first semester and introduces new material including modes, scales and structures applicable to contemporary music, seventh chords, secondary dominant chords and relevant part writing for contemporary music. Additionally, harmonic considerations and formal structure of American popular song standards and the various genres found in pop and rock music from the later part of the twentieth century will be investigated.
    Prerequisites: Theory 1
    Assessment: Harmony Exercises and worksheets (equivalent of 500 words) 20% Analysis and Harmony Assignment (equivalent of 1000 words) 40%

  • MUT105 History 1
    3.0 points

    24.0 hours

    History and Analysis 1 is the first in the sequence of three history subjects. Students will acquire theoretical knowledge of the development of jazz and popular music of the twentieth century, and analyse selected composers' works in depth. Particular attention will be paid to outlining the connections between the development of music and other arts as wells as socio-economic, cultural and technological changes happening in contemporary society. Students will analyse musical works of prominent composers from the artistic, cultural and technical perspectives. In this subject students will be introduced to investigation of music, and review of musicological writings, and use this knowledge to inform their musical experiences. Contact hours are 1 hour lecture (online), 1 hour tutorial (online) for 12 weeks.
    Prerequisites: None
    Assessment: Analysis Essay (1200 words) 50% On-line quizzes (Closed Book) 50%

  • MUT108 Aural 2
    3.0 points

    24.0 hours

    Aural 2 is the second in the sequence of four subjects in which students will further develop their aural skills, including notating, aurally recognising and singing intervals, scales, diatonic chords, chord inversions and progressions. Students will perform prepared melodies, sight-sing and transcribe diatonic melodies in simple and compound metres, some of which will be borrowed from the Baroque and Classical repertoire. Rhythmic work will include performing prepared progressions, sight-reading and transcribing rhythmic examples in simple and compound meters. Students will develop more extensive transcription abilities, consolidate their knowledge of harmonic practice, and acquire more comprehensive vocabulary for use in musical analysis. Aural training software will be incorporated into this subject in a self-guided learning module. Contact hours are 2 hour practical for 12 weeks.
    Prerequisites: MUT107 AURAL 1
    Assessment: Assessment: Assessment 1:Viva Voce test 4 - 10 minutes 25% Assessment 2:Viva Voce test 4 - 10 minutes 25% Assessment 3:Written Test of aural skills - 55 minutes 50%

  • MUT102 Music Technology 2
    3.0 points

    24.0 hours

    This subject is the second in a sequence of two, and is designed to equip you with the technological skills expected of those working at a professional level in the music industry today. The skills and knowledge acquired in this subject are crucial to your success in other subjects. The subject will cover modules such as performance and presentation - especially when working with technology, multimedia, audio production and musical sequencing. The classes will be a combination of theory lessons, practical classes and tutorials. Contact hours are 2 hour class (part lecture/part tutorial) for 12 weeks.
    Prerequisites: MUT101 MUSIC TECHNOLOGY 1
    Assessment: Use sequencing software to compose/arrange a piece of music. Using global tracks, advanced drum programming, instrument design, audio recording and editing, compression and eq, insert and send fx. 30% In-class test 20% Create a soundtrack for a short film using Audio recordings, MIDI sequencing, mixing techniques, and film synchronising concepts. Present musical work and hand in entire Logic project file in zip format 50%


  • Year 2 Core


  • MUT221 Composition Studies 3
    6.0 points

    48.0 hours

    Composition Studies 3 is the third of six composition studies subjects. The composition studies stream focusses on developing, applying and refining techniques, skills and devices pertinent to contemporary composers.

    In Composition Studies 3, students continue to develop compositional techniques that include motivic development, extension of themes, development of rhythmic devices, texture as a compositional determinant and creation of convincing musical forms. Students will concentrate on composing for the orchestra, learning ranges of the instruments, specifics of the playing techniques and transposition. Knowledge and skill in the use of appropriate voicing and timbre combinations, and the practical application of contrapuntal writing in the Baroque style are central elements of this study. Students will develop more extensive compositional resources to support their developing conceptual and expressive palette. Students will aim to develop considerable fluency in stylistic part writing and part ‘interlocking’ as a foundation for the orchestral cue construction. Through a variety of ongoing exercises in analysis and composition, students will consolidate knowledge of technical and aesthetic aspects of composing and continue to develop a vocabulary of compositional techniques and ideas.

    The weekly forum provides an opportunity for students to interact with their peers, as well as other students from the Music Department in an open and flexible format.

    Contact hours are 4 hours per week for 12 weeks.
    Prerequisites: Composition Studies 2
    Assessment: 1. Woodwind Composition 25% 2. Brass and Percussion Composition 25% 3. Composition analysis for full orchestra 25% 4. Orchestra Exercises 25%

  • MUT222 Composition Studies 4
    6.0 points

    48.0 hours

    Composition Studies 4 is the fourth of six composition studies subjects. The composition studies stream focusses on developing, applying and refining techniques, skills and devices pertinent to contemporary composers.

    In Composition Studies 4 students will focus on the concepts of arranging and orchestration with particular emphasis on writing for large ensembles. Concepts will include instrumental colour, layering and balance, inventiveness and applications of compositional techniques and devices to arranging skills. Composition exercises may include writing for traditional and unconventional instrumental groups, and using advanced compositional and orchestration techniques to create appropriate but interesting variations of foundation motifs and melodies arrangements. Students will acquire more extensive compositional resources to support their developing conceptual and expressive palettes, motivic and melodic development, extension of themes, development of rhythmic devices, use of texture as a compositional determinant and creation of convincing musical forms.

    The weekly forum provides an opportunity for students to interact with their peers, as well as other students from the Music Department in an open and flexible format.

    Contact hours are 4 hours per week for 12 weeks.
    Prerequisites: Composition Studies 3
    Assessment: 1. Counterpoint exercises 20% 2. Lead-sheet exercise 10% 3. Major project 1: Florid Counterpoint 20% 4. Major Assignment 2: Big Band composition 50%

  • MUT223 Composition Content B3: Media Technology 1
    3.0 points

    24.0 hours

    Composition B3: Media Technology is designed to equip students with the technological skills expected of those working at a professional level in the modern music industry. Students will engage in advanced MIDI projects and undertake advanced exercises using the latest sequencing software. Students will record and edit sound waves, and apply appropriate effects in order to modify and enhance various sounds, and create non-traditional soundscapes in virtual environments. Through a series of explorative aural exercises, students will learn to differentiate between various sounds and make artistic judgment while synthesising new timbres. Ideas of Shafer will be introduced in this class and explored through discussions and practical exercises. Students will further develop the skill of active listening through learning to identify a variety of sounds and sound variations occurring in given environments and use this knowledge when creating their own soundscapes. In a major class project, students will replicate a given musical example, trying to achieve the exact sound of the original.

    Contact hours are 2 hours per week for 12 weeks.
    Prerequisites: None
    Assessment: 1. Sample Bases Composition 40% 2. Synth Programming task 60%

  • MUT224 Composition Content B4: Media Technology 2
    3.0 points

    24.0 hours

    Composition B4: Media Technology is designed to further develop students’ technological skills needed for working at a professional level in the modern music industry. Students will engage in advanced MIDI and audio projects and undertake advanced exercises using the latest sequencing software. As a preparatory step toward creating more complex virtual environments, students will learn to construct timelines specifying the occurrence of sonic events, applying and enhancing their active listening skills and knowledge acquired during the previous semester. Students will work with visual material, synchronising audio events with visual cues. Students will create sound tracks that realistically reproduce the entire sound palette that would naturally occur in the given video clips. During such projects students will use their creative judgment to craft aesthetically advanced synthesised and recorded sounds with appropriate effects.

    Contact hours are 2 hours per week for 12 weeks.
    Prerequisites: Media Technology 1
    Assessment: 1. Mixing Assessment 40% 2. Major composition using extended techniques 60%

  • MUT225 Composition Content A3
    3.0 points

    24.0 hours

    Composition A3: Scoring for Media 1 focuses on composing for documentaries and corporate videos. Students will encounter practical aspects of carrying out film composition projects including budgeting, scheduling, calculating SMPTE, developing scoring concepts and using technology for recording and timing music. This subject aims to give students a thorough understanding of the application of contrapuntal composition to film composition. Students will study compositional techniques employed by various film composers, and apply their knowledge in scoring a series of short musical excerpts to accompany film sequences. Up-to-date technology will be used in this class to synchronise music scores to film. Students will further their ability to evoke an emotional response and reflect/enhance dramatic action in the film with music. The analysis of the film industry structure will enable students to perform in accord with the defined industry roles. Students will create scoring exercises throughout the semester, one of which will include a cueing exercise using a Yamaha Synclavier.

    Contact hours are 2 hours per week for 12 weeks.
    Prerequisites: Composition Content A2
    Assessment: 1. Scoring Exercises 30% 2. Oral Presentation and scoring assignment 30% 3. Documentary Assignment Including Oral Presentation 40%

  • MUT226 Composition Content A4
    3.0 points

    24.0 hours

    Scoring for Media 2 focuses on composing for film, TV and multi-media. Through various investigative and analytical activities, students will examine the requirements and standards set in place by the industry, and will compose music that reflects their understanding and ability to follow the standards whilst demonstrating creativity and independent thinking. Students will gain knowledge of the latest software geared toward composing for media and employ the appropriate software in their class projects. Students will continue to view and analyse existing, exemplary applications of the concepts studied in class in commercial music.

    Contact hours are 2 hours per week for 12 weeks.
    Prerequisites: Composition Content A3
    Assessment: 1. Scoring Exercises 30% 2. Scoring Assignment 30% 3. Major Project – collaborative work with Swinburne University film students 40%

  • MUT203 Theory 3: Jazz Harmony
    3.0 points

    24.0 hours

    This is the third in a sequence of six music theory subjects. Delivered as a one-hour lecture and a one-hour tutorial, conducted in a computer laboratory. Each computer work station is equipped with a MIDI keyboard, music notation and music sequencing programs. The theoretical and aesthetic principles presented in lectures are aurally reinforced in practical harmony exercises in tutorials, through which students will acquire a thorough understanding of the principles of jazz harmony, jazz voice leading and musical form. The evolution and influence of diatonic and chromatic music of the past on the development of contemporary jazz will be explicitly described in lectures and tutorials. Contact hours are 2 hours (lecture/tutorial) for 12 weeks.
    Prerequisites: MUT104 THEORY 2: DIATONICISM
    Assessment: Assessment: Analysis and Harmony Assignment 40% Written Exam (Closed Book) - 90min 60%

  • MUT205 History 2
    3.0 points

    24.0 hours

    History and Analysis 2 is the second in the sequence of three history and analysis subjects. Students will acquire theoretical knowledge of a portion of the history of Western Music, from the middle ages to Romanticism. Particular attention will be paid to outlining the connections between the development of music and other arts as wells as socio-economic, cultural and technological changes in society. Students will analyse musical works of prominent composers from artistic, cultural and technical perspectives. Connections between previously learned styles of music and modern music practices will be emphasised and used to further contextualise the study of harmony and fundamental aural perception. In this subject, students will further develop their ability to investigate music, and review musicological writings, and use this knowledge to inform their musical experiences. Contact hours are 1 hour lecture, 1 hour tutorial for 12 weeks.
    Prerequisites: MUT105 HISTORY 1
    Assessment: Analysis essay (1000 words) 40% Listening review (500 words) 30% Written and listening exam (60 mins) 30%

  • MUT207 Aural 3
    3.0 points

    24.0 hours

    Aural 3 is the third subject in the four subject aural skills sequence. Students will apply their knowledge in practice through completion of aural analysis tasks designed to help students internalise musical elements comprising those musical styles. Students will develop more extensive transcription abilities, consolidate their knowledge of harmonic practice, and acquire more comprehensive vocabulary for use in musical analysis. Students will further develop their aural skills, including notating, aurally recognising and performing rhythmic progressions, intervals, scales, chords, chord modifications and inversions and chord progressions. Particular attention will be paid to developing students' confidence and independence in transcribing and performing melodies, rhythms and chord progressions specifically derived from the Romantic and Impressionistic music repertoire. Students will further explore diatonic and non-diatonic melodies, complex rhythms in compound and odd meters, chromaticism and non-triadic chord structures. Various group and individual in-class activities and out-of-class exercises using aural training software will develop the skills required for students to complete full transcriptions of musical works. Contact hours are 2 hours practical for 12 weeks.
    Prerequisites: MUT108 AURAL 2
    Assessment: Viva Voce exam 1 (5 min) 30% Viva Voce exam 2 (5 min) 30% Written aural exam (50 min) 40%

  • MUT204 Theory 4: Arranging
    3.0 points

    24.0 hours

    This is the fourth in a sequence of six music theory subjects. Delivered as a one-hour lecture and a one-hour tutorial, conducted in a computer laboratory. Each computer work station is equipped with a MIDI keyboard, music notation and music sequencing programs. The theoretical and aesthetic principles presented in lectures are aurally reinforced through practical harmony exercises in tutorials, through which students will acquire a thorough understanding of the principles of arranging for various ensembles. This subject focuses on the practical applications of the voice leading techniques and harmonic practices studied in Theory 1, Theory 2 and Theory 3. Students will analyse, compose and arrange jazz harmony exercises for ensembles in two to five parts. Students will present their arrangements in a music notation program; and they will realise their exercises/compositions by singing, playing and/or using MIDI, which will reinforce their aural training and encourage development of their 'mind's ear' . Contact hours are 2 hours (lecture/tutorial) for 12 weeks.
    Prerequisites: MUT203 THEORY 3: JAZZ HARMONY
    Assessment: Assessment: Arranging Assignment - 1 (equivalent to 750 words) 50% - Witten Exam (closed book) (equivalent to 1000 words) 50%

  • MUT206 History 3
    3.0 points

    24.0 hours

    History and Analysis 3 is the final in the sequence of three history and analysis subjects. Students will acquire theoretical knowledge of Romantic, 20th Century, and the current trends in music around the globe, and analyse selected practitioners’ works in depth. Various musical traditions and their influence on contemporary music will be studied. Particular attention will be paid to outlining the connections between the development of music styles, genres, instruments and the cultural aspects of given societies. Through the study of world music and recent trends, students will expand their appreciation of the diversity of aesthetic expression. The connections between previously learned styles of music and modern music practices will be emphasised and used to further contextualise the study of harmony and fundamental aural perception. In this subject students will develop the ability to research and analyse music, review and evaluate musicological and ethno-musicological writings, and use this knowledge to inform their musical experiences.
    Prerequisites: History 2
    Assessment: Assessment 1:Essay 1: Music of the Classical Period. 33.3% Assessment 2: Essay 2: Music of the 19th Century. 33.3% Assessment 3: Essay 3: Music of the 20th and 21st Centuries. 33.3%

  • MUT208 Aural 4
    3.0 points

    24.0 hours

    Aural 4 is the final in the sequence of four aural skills and development subjects. Students will apply this knowledge through completion of aural analysis tasks designed to help students internalise musical elements comprising various world music styles. Students will develop more extensive transcription abilities, consolidate their knowledge of harmony, and acquire more comprehensive vocabulary for use in musical analysis. Students will learn a dozen short excerpts from World Musical and learn to identify and sing a dozen microtonal scales from World Musical Cultures. Students will acquire aural and theoretical skills that extend beyond the conventions and imperatives of diatonic music of previous centuries to embrace non-Western and post-tonal music, the use of modes and polytonality, contemporary harmonic devices, and the use of polyrhythm and mixed metre. Through the study of world music and recent trends, students will expand their appreciation of the diversity of aesthetic expression. The connections between previously learned styles of music and modern music practices will be emphasised and used to further contextualise the study of harmony and fundamental aural perception. Students will further develop their aural skills, including notating, aurally recognising and performing rhythmic progressions, intervals, scales, chords, chord modifications and inversions and chord progressions. Particular attention will be paid to developing students' confidence and independence in transcribing and performing melodies, rhythms and chord progressions. Students will further explore complex rhythms in compound and odd meters. Contact hours are 2 hour practical for 12 weeks.
    Prerequisites: MUT207 AURAL 3
    Assessment: 2 Viva Voces 30% + 30% 1 Written Test 40%


  • Year 3 Core


  • MUT321 Composition Studies 5
    6.0 points

    48.0 hours

    Contemporary Composition Techniques will focus on the applications of compositional developments in the twentieth and twenty-first centuries to the composition of concert music, and film and media scores. The aesthetic differences between composing functional music and concert music will be examined. The focus will be on compositional processes, particularly algorithmic compositional processes as they have been applied to the organisation of various musical parameters, but especially pitch and rhythmic organisation. Complex musical structures of seminal works will be studied and analysed. The concepts of integer notation, pitch-class, interval-class, interval vector, common tone theorems, set symmetry and pitch-class set relationships will be examined. Students will be required to compose works utilising set theory and related theories. The application of mathematics to composition in the works of various composers will be examined. Extended instrumental techniques and unconventional music notations will be examined and utilised in students’ composition assignments. The emancipation of dissonance, instrument exploration, new notations, indeterminacy, microtonality, micropolyphony and stochastics will be studied and applied in students’ works.

    Contact hours are 4hrs each week for 12 weeks.
    Prerequisites: Composition Studies 4
    Assessment: Assessment 1: Composition Assignment 1 – New Sounds and New Notations 30% Assessment 2: Composition Assignment 2 Exploration od Sound Mass 40% Assessment 3: Composition Assignment 3 Minimalist work for Disklavier 30%

  • MUT325 Composition Content A5
    3.0 points

    24.0 hours

    Composition A5: Advanced Film Scoring 1 is the fifth of six film and media subjects designed to advance students’ ability to analyse, evaluate, compose and arrange music for various media. This subject builds on the theoretical knowledge acquired in the previous semesters, but takes a more practical approach to learning composition and scoring techniques in composing music for film. In Advanced Film Scoring 1, students will consolidate and synthesise their knowledge of music scoring techniques by creating music for a range of film projects for in-house and/or external clients. The projects will simulate the film industry and the processes in which composers work with directors and producers. In collaboration with clients, students will create the music from thematic design through to musical arrangement and final recorded soundtrack.

    Contact hours are 2 hours each week for 12 weeks.
    Prerequisites: Composition Content A4
    Assessment: Assessment 1: Concept Exercise 10% Assessment 2: Motives Exercise 10% Assessment 3: ‘The Godfather’ Analysis 20% Assessment 4: ‘The Pact’ Thriller Theme 10% Assessment 5: Students will compose a soundtrack to a section of a film 50%

  • MUT323 Composition Content B5: Sound Design 1
    3.0 points

    24.0 hours

    Composition B5: Sound Design will introduce students to the history of sound design, various sound design platforms and MIDI orchestration in relation to the production of sound design. This subject will explore industry roles and skills of a contemporary sound designer. Students will be introduced to Foley, diegetic and non-diegetic sounds for film and games, and the affective relationship between sound and image. Students will be required to produce sound designs for moving images within short time frames, thereby emulating real conditions in the film and game audio industries.

    Contact hours are 2 hours per week for 12 weeks.
    Prerequisites: None
    Assessment: Assessment 1: Senior Concert preview – discussion and pre-concert performance demonstrating work toward senior concert 20% Assessment 2: Senior Concert 50% Assessment 3: Senior Concert Folio 30%

  • MUT305 Aesthetics And Research Seminar 1
    3.0 points

    24.0 hours

    In Aesthetics and Research Seminar 1, various philosophies of aestheticism and a variety of music research methodologies will be explored. The influence of culture on the perception and interpretation of music, and the role of musical structure on aesthetics will be investigated. Topics for investigation will include the notions of music being intrinsically aesthetic; the notions of banality and cliche in reference to musical and artistic sentimentality; emotional expression in music; and notions of the intrinsic value of music. The differences and applications of quantitative and qualitative research will be explored. Various modes for interpreting and presenting research data will be investigated. You will acquire collaborative and individual investigative skills in preparation of group research projects. Contact hours are 2 hour lecture for 12 weeks.
    Prerequisites: None
    Assessment: 'Questions' Journal for class sessions 20% Essay draft, including Topic development, list of sources and Formal Outline (750 words) 30% Aesthetics Research Project - Final Essay (1250 words) 50%

  • MUT303 Theory 5: Chromaticism
    3.0 points

    24.0 hours

    This is the fifth in a sequence of six music theory subjects. It is delivered as a one hour lecture and a one hour tutorial. The latter is conducted in a computer laboratory. Each computer work station is equipped with a MIDI keyboard, music notation and music sequencing programs. The theoretical and aesthetic principles presented in lectures are aurally reinforced through practical harmony exercises in tutorials, through which students will acquire a thorough understanding of the principles of chromatic harmony, voice leading and musical form. Students will realise their exercises/compositions by singing, playing and/or using MIDI, which will reinforce their aural training and encourage development of their ‘mind’s ear’. students will acquire a strong foundation in the elements of music that shaped the music of the late Classical, Romantic, and, to some extent, the Impressionistic eras. Through harmonisation exercises and harmonic analyses, students will acquire an understanding of how tonicisation, modal mixture and chromatically altered chords can affect modulations to distantly related keys.
    Prerequisites: Theory 4
    Assessment: In class assessable analysis #1 25% In class assessable analysis #2 25% Written Exam (closed book) 120 min 50%

  • MUT307 Music Business 1
    3.0 points

    24.0 hours

    This is the first of two subjects designed to give graduates a broad overview of the function of the music business, domestically and internationally. Music Business 1 focuses on copyright, publishing and business management. This subject introduces students to copyright ownership and exploitation, the role of publishers and copyright collection societies. Students will examine in detail the roles of managers, booking agents and record companies in the exploitation of artists and their works. During this subject students will be introduced to the basics of business planning and organisation, business management and administration, contracts, music licensing and various associated rights in the music industry. Students will acquire knowledge and skills required to operate successfully in the music industry. Students will investigate and meet music industry standards with reference to business and administrative criteria. Contact hours are 2 hour lecture for 12 weeks.
    Prerequisites: None
    Assessment: Assessment 1: Industry Standard Biography & Concise 2 Page Promotional Plan 20% Assessment 2: Draft your own engagement agreement and PERFORMERS create a stage plot for your preferred version of your production. AUDIO engineers creates an operations manual.40% Assessment 3: Business Feasibility Study (1000 words) 40%

  • MUT322 Composition Studies 6
    6.0 points

    48.0 hours

    Composition Studies 6: Senior Concert can be considered to be the capstone experience for composition students at Box Hill Institute. Students will work closely with a faculty mentor, either in small groups or individually, to compose, prepare and present a concert of their own works. The intent of this subject is to bring the previous composition studies subjects together to create a representative folio of works of the graduating student. It is anticipated that senior concerts will be presented during the final weeks of semester, with performances involving collaboration with both performance and audio students.

    Contact hours are 4 hours each week for 12 weeks.
    Prerequisites: Composition Studies 5
    Assessment: 1. Scoring Exercises 30% 2. Scoring Assignment 30% 3. Major Project – collaborative work with Swinburne University film students 40%

  • MUT324 Composition Content B6: Sound Design 2
    3.0 points

    24.0 hours

    Composition B6: Sound Design aims to further develop students’ skills and abilities to compose music and sound design for film and games using appropriate design and composition platforms. Students will further develop their understanding of the history of film, and game sound design and music, methods and techniques of creating sound designs, and the roles and approaches of various film composers and sound designers. They will also explore and use various technologies for composition and sound design, and develop their understanding of affective relationship between sound and image to an advanced level. Students will be required to produce high quality sound designs for moving images within short time frames, thereby emulating real conditions in the film and game audio industries.

    Contact hours are 2 hours each week for 12 weeks.
    Prerequisites: Composition Content B5
    Assessment: Assessment 1: Sound Design Review 20% Assessment 2: MIDI Composition and Foley Sound Design Assignment 20% Assessment 3: Final Sound Design Project 60%

  • MUT326 Composition Content A6
    3.0 points

    24.0 hours

    Composition A6: Advanced Film Scoring 2

    This is the last of six film and media subjects designed to advance students’ ability to analyse, evaluate, compose and arrange music for various media. This subject builds on the theoretical knowledge acquired in the previous semesters, but takes a more practical approach to developing composition and scoring techniques in composing music for media. The concepts introduced in the previous semester will be reinforced and developed through lectures and practical composition exercises.

    Contact hours are 2 hours each week for 12 weeks.
    Prerequisites: Composition Content A5
    Assessment: Assessment 1: Film Scoring Assignment 1 20% Assessment 2: Film Scoring Assignment 2 20% Assessment 3: Scoring of a Short Film 60%

  • MUT304 Theory 6: Beyond Tonality
    3.0 points

    24.0 hours

    This is the final in a sequence of six music theory units. Delivered as a one-hour lecture, and one-hour tutorial, which is conducted in a computer laboratory, where each computer work station is equipped with a MIDI keyboard, music notation and music sequencing programs. The theoretical and aesthetic principles presented in lectures are aurally reinforced through practical harmony exercises in tutorials, through which students will acquire a thorough understanding of the principles of post-tonal harmony, voice leading and musical form. This subject focuses on seminal post-tonal theories, the associated repertoire, and the aesthetic principles underlying musical trends in the art-music genres of the twentieth and twenty-first centuries. This subject draws on knowledge and skills acquired through the previous five theory subjects. The notions of consonance and dissonance will be shown to be relative concepts. In addition, techniques that are not overtly utilised in mainstream popular music, but have been utilised by experimental jazz artists and creators of music that exists at the fringes of popular culture, will be explored. The evolution and influence of non-tonal practices and experimental music of the twentieth and twenty-first centuries on the development of recent music will be explicitly described in lectures and tutorials.
    Prerequisites: Theory 5
    Assessment: Harmony Exercises, equivalent to 1000 words 40% Analysis and Harmony Assignment, equivalent to 750 words 30% Written and Listening Exam - 45min 30%

  • MUT306 Aesthetics And Research Seminar 2
    3.0 points

    24.0 hours

    Aesthetics and Research Seminar 2 will challenge you to evaluate the place and function of music and arts in Australian society. Various philosophies of aestheticism and a variety of advanced music research methodologies will be explored. The influence of culture, particularly the Australian culture on the perception and interpretation of music, and the role of musical structure on aesthetics will be investigated. The differences and applications of quantitative and qualitative research will be utilised and various modes for interpreting and presenting research data will be investigated. You will further develop your collaborative and individual investigative skills culminating in the preparation of a major individual research project. Contact hours are 2 hour lecture for 12 weeks.
    Prerequisites: MUT305 AESTHETICS AND RESEARCH SEMINAR 1
    Assessment: Essay questions 50% Final essay 40% Attendance and participation 10%

  • MUT308 Music Business 2
    3.0 points

    24.0 hours

    This is the second of two subjects designed to give graduates a broad overview of the function of the music business, domestically and internationally. The business component will investigate the key elements of entrepreneurial thinking and business creation as well as the current climate of the music industry so that students can apply entrepreneurial thinking to their own prospective music industry careers. Students will compile individual and group work portfolios that may include self-promotional materials, business pitches, group CD production, product launch and online e-commerce projects. Guidance in project management, business, strategic and financial planning will facilitate the research projects to be undertaken. Emphasis will be placed on implementing and marketing ideas developed during the semester. Students will gain practical experience in the music industry in a variety of situations through the delivery of a specific project working as team members. Contact hours are 2 hour lecture for 12 weeks.
    Prerequisites: MUT307 MUSIC BUSINESS 1
    Assessment: Assessment 1: Sales pitch presentation Week 13 - October 26 20% Assessment 2: Marketing Plan Week 14- November 2 60% Assessment 3: Exam - Covering marketing theories, key terms and concepts. Exam Period 20%


  • Electives


  • BSP119 Game Audio 1
    3.0 points

    24.0 hours

    In game audio 1, students will be introduced to the world of game audio and look at the varied roils and tools used by those in the game industry. This unit focuses on the collection, creation, management, and delivery of sounds for games, as well as gaining an understanding on how programmers intergrade sounds within games. Students will create preproduction documents, prepare scripts, record sound effects and dialogue, source music, and apply all sound elements within a game level, using the game audio program Wwise.
    Prerequisites: Nil
    Assessment: Assessment 1: Analyse Game Sound Design and presentation 15% Assessment 2: Sound Design document and Assets List 15% Assessment 3: Asset Library delivery 30% Assessment 4: Mixed Sound Design for Game Level 40%

  • BSP129 Game Audio 2
    3.0 points

    24.0 hours

    In Game Audio 2, students complete a major project involving the development and creation of sound assets, and the integration of these sound assets within a game level. To emulate the development of a game students will go through the following four stages:

    • Engage with community
    • Submit a Vertical Slice (a proof of concept to iterate from),
    • Engage with industry
    • Complete their game projects

    Students will use industry standard tools such as Unity3D and Wwise, as well as a looking at a variety of tools for occlusion and spatial audio mixing. For the latter, the focus will be on concepts, as tools in this part of the industry are evolving rapidly.Students will be preparing for entrance into the industry, networking with fellow students at other institutions, and constructing their online presence, and folio, in preparation for local and online industry events


    Prerequisites: Game Audio 1
    Assessment: Assessment 1: Analyse Limbo Audio (quiz) 10% Assessment 2: Audio Design Document plus vertical slice 15% Assessment 3: Industry Profile 30% Assessment 4: 3D Audio Concepts Quiz 20% Assessment 5: Submission of Unity 3D game and documentation 40%

  • MUT151 Instrumental Studies 1
    3.0 points

    24.0 hours

    Through performing in ensembles, you acquire theoretical knowledge and practical skills in music performance, which complement and broaden the knowledge that you receive through your specialised disciplines. You may elect to concentrate on an instrument that is not your primary focus (guitar workshop, percussion workshop or keyboard workshop), or to participate in an ensemble that augments your study on your primary instrument (Afrobeat collective, Soul Lab, Choir, Percussion Workshop or Jazz Ensemble).
    Prerequisites: Nil
    Assessment: Assessment 1: Mid-semester performance assessment (15 minutes) 30% Assessment 2: Ongoing assessment tasks (may be written, or practical, or a combination) (equivalent to 500 words) 20% Assessment 3: End-of-semester performance (20 minutes) 50%

  • MUT152 Instrumental Studies 2
    3.0 points

    24.0 hours

    Through performing in ensembles, you acquire theoretical knowledge and practical skills in music performance, which complement and broaden the knowledge that you receive through your specialised disciplines. Ideally, you will take the same subject/ensemble for a full academic year, ensuring consistency and stability of performance groups. You may elect to concentrate on an instrument that is not your primary focus (guitar workshop, percussion workshop or keyboard workshop), or to participate in an ensemble that augments your study on your primary instrument (Afrobeat collective, Soul Lab, Choir, Percussion Workshop or Jazz Ensemble).
    Prerequisites: Instrument Studies 1
    Assessment: Assessment 1: Attendance/Participation and weekly preparation 30% Assessment 2: Mid Semester Assessment 30% Assessment 3: End-of-semester Performance 40%

  • BSP110 Beat Cypher 1
    3.0 points

    24.0 hours

    The beat cypher elective will help students refine their compositional and production practices whilst learning about working within an artist collective project. Students are tasked with creating original electronic music projects each week using a Digital Audio Workstation (DAW), adhering to certain restrictions. The subject aims to engage students in a process or rapid iteration to enforce good habits for effective DAW work flow practices and confident creative execution. Through presentation, peer review and self reflection students will develop their composition and production techniques. The subject also has students take ownership or completing a collected work, with input from all stakeholders, using practical project management skills mirroring artist collectives and formalized industry bodies.
    Prerequisites: Nil
    Assessment: Assessment 1: Beat Cypher tasks 60% Assessment 2: Create a short peer review of another students work 20% Assessment 3: Create a peer review of another students work and self-reflection of the students own development 30%

  • BSP120 Beat Cypher 2
    3.0 points

    24.0 hours

    Students continue to refine their composition and production skills by using a Digital Audio Workstation to complete a new series of compositions. Further practice and repetition will continue to assist students in refining an efficient work regimen and ability to respond to deadlines. In Beat Cypher 2, students are also tasked to explore new and unfamiliar creative processes through a gamified challenge system. Each student is given the responsibility to control their set of restrictions and encouraged to explore new techniques and expand their repertoire. There is also a greater level of control and responsibility in the student’s hands to influence the creative direction of the whole group, including the development of shared resources. Throughout this process students explore collaboration and a greater involvement in the creation of their multiple collected works mirroring artist collectives and formalised industry bodies. Students will receive constant feedback on their progress, through a variety of methods, to assist their development. Through presentation, peer review and self reflection students will continue to refine their critical analysis skills and appropriate vocabulary across topics such as the creative process, musical composition and production techniques.
    Prerequisites: Beat Cypher 1
    Assessment: Assessment 1: Beat Cypher tasks 60% Assessment 2: Create a short peer review of another students work 10% Assessment 3: Create a peer review of another students work and self-reflection of the students own development 30%

  • MUT381 Studio Teaching 1
    3.0 points

    24.0 hours

    Studio Teaching 1 aims to provide students with the basic principles and practical applications of teaching the beginning instrumental or voice student in the studio setting. Through the study of learning theories and perspectives in pedagogical approaches, students will develop a foundation for teaching beginning instrumental or vocal students. Students will analyse curriculum design and implementation to engender a musically creative and expressive teaching and learning environment. The study of interpersonal and communication skills in relation to effective teaching practices will enable students to create positive teacher-student relationships. At the completion of the unit, students will have created lesson plans, repertoire lists, strategies for overcoming common technical issues, and a pedagogical toolbox to draw upon when commencing teaching.
    Prerequisites: Nil
    Assessment: Presentation: 5-minute lesson - 'Introduction to rhythm reading'. 20% Two lesson observation reports 20% Pedagogy Portfolio: The Beginning Student 60%

  • MUT382 Studio Teaching 2
    3.0 points

    24.0 hours

    Building on concepts learned in Studio Teaching 1, students will undertake lesson observations and a teaching practicum of five lessons. Ongoing reflection and refinement in their practicum teaching will enable students to develop personal philosophies as a basis for their pedagogical approach. Students will undertake a survey of teaching methods related to their instrument and examine recent pedagogical research, including strategies for motivating students. Music examination curricula, with a focus on VCE Music Performance, will provide students with knowledge and skills required to satisfy these assessment requirements. The responsibilities, processes and logistics for setting up a studio will be investigated, culminating in the creation of a music studio plan. At the completion of this unit, students will be prepared to commence teaching in their studio or in a school setting, with a collection of pedagogical tools and ideas to teach a diverse range of learners. The importance of undertaking ongoing professional learning will be reinforced through the various learning tasks in this unit.
    Prerequisites: Studio Teaching 1
    Assessment: VCE Music Assignment, recital preparation and technical SAC preparation 45% Lesson Video:a)Lesson plan, b) Lesson video: 30 minutes, and c) lesson reflection 55%

  • MUT135 Audio Content C1: Production Principles 1
    3.0 points

    24.0 hours

    This subject is the first of two in the stream of music production elective subjects, and the focus is on production principles using the industry-standard audio production platform, Pro Tools. You will learn fundamental skills such as understanding of basic audio signal flow and gain structure, as applicable to analogue recording mediums. You will learn about the nature of sound and will be able to discuss this and other topics using correct terminology. Basic recording projects will be undertaken. Contact hours are 2 hours practical for 12 weeks.
    Prerequisites: None
    Assessment: Signal Flow and Gain Structure Assignment (equivalent of 750 words) 30% Microphone Polar Pattern Test (equivalent of 1000 words) 40% Stereo Microphone Placement Assignment (equivalent to 750 words) 30%

  • MUT136 Audio Content C2:production Principles 2
    3.0 points

    24.0 hours

    This subject is the second of two in the stream of music production elective subjects. You will complete an entire multitrack recording and create a digital mix to a two track finished CD using Pro Tools. This will be achieved through a combination of class and independent work. External effects, overdubbing, dropping in techniques, compression and basic mastering will be studied. You will develop an understanding of microphone recording techniques in a studio setting. The correct positioning of microphones and the use of compression and gating for voice, guitar and drums will studied in theory and in practice. Contact hours are 2 hours practical for 12 weeks.
    Prerequisites: MUT135 AUDIO CONTENT C1: PRODUCTION PRINCIPLES 1
    Assessment: Multitrack Recording Assignment and, equivalent to 1250 words 50% Log Book 50%


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Admissions Data & Indicative Enrolments


Applicant background

Semester one / Full year intake - 2019
 

Number of students

% of all students

(A) Higher education study (includes a bridging or enabling course)

<5

NP

(B) Vocational education and training (VET) study

5

21%

(C) Work and life experience (admitted on the basis of previous achievement not in the other three categories)

5

21%

(D) Recent secondary education:

Admitted solely on the basis of ATAR (regardless of whether this includes the consideration of adjustment factors such as equity or subject bonus points)

NA

NA

Admitted where both ATAR and additional criteria were considered (e.g. portfolio, audition, extra test, early offer conditional on minimum ATAR)

NA NA

Admitted on the basis of other criteria only and ATAR was not a factor (e.g. special consideration, audition alone, schools recommendation scheme with no minimum ATAR requirement)

7 29%

International students

<5

NP

All students

24

100%

Notes:

  • <5 - less than 5 students
  • NA - students not accepted in this category
  • NP - not published: the number is hidden to prevent calculation of numbers in cells with less than 5 students

We expect to enrol between 25 and 60 students.

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